{"id":4420,"date":"2022-01-07T21:33:48","date_gmt":"2022-01-07T20:33:48","guid":{"rendered":"https:\/\/prahaskolska-backup.200.solutions.uvirt120.active24.cz\/?p=4420"},"modified":"2022-02-14T15:06:42","modified_gmt":"2022-02-14T14:06:42","slug":"vystava-slovnik-metod-je-k-videni-v-muzeu-kampa-az-do-27-unora-zaujme-i-skolaky","status":"publish","type":"post","link":"https:\/\/prahaskolska-backup.200.solutions\/?p=4420","title":{"rendered":"V\u00fdstava Slovn\u00edk metod je k vid\u011bn\u00ed v Muzeu Kampa a\u017e do 27. \u00fanora, zaujme i \u0161kol\u00e1ky"},"content":{"rendered":"\n<p><strong>Dne 19. listopadu se v muzeu Kampa konala vernis\u00e1\u017e velk\u00e9 v\u00fdstavy Ji\u0159\u00edho Kol\u00e1\u0159e s&nbsp;n\u00e1zvem Slovn\u00edk metod. N\u00e1zev v\u00fdstavy odkazuje na autorovu stejnojmennou knihu, ve kter\u00e9 p\u0159edstavuje 110 metod tvorby jeho milovan\u00fdch kol\u00e1\u017e\u00ed, abecedn\u011b se\u0159azen\u00fdch. Tento fakt odkazuje na celkovou systemati\u010dnost v um\u011blcov\u011b tvorb\u011b. Publikace vy\u0161la poprv\u00e9 ve Francii p\u0159ed t\u0159iceti lety, kam se Kol\u00e1\u0159 odst\u011bhoval za dob totalismu v \u010ceskoslovensku.<\/strong><\/p>\n\n\n\n<p>Ji\u0159\u00ed Kol\u00e1\u0159 (1914-2002) byl nejen geni\u00e1ln\u00edm um\u011blcem a \u00fasp\u011b\u0161n\u00fdm b\u00e1sn\u00edkem, ale tak\u00e9 \u010dlov\u011bkem, kter\u00fd se nikdy neb\u00e1l vyj\u00e1d\u0159it sv\u00e9 n\u00e1zory, a to i p\u0159esto, \u017ee nebyly v souladu s re\u017eimem. V 50. letech byl v\u011bzn\u011bn a vysl\u00fdch\u00e1n kv\u016fli sv\u00e9 sb\u00edrce Prom\u00e9theova j\u00e1tra, stal se jedn\u00edm ze signat\u00e1\u0159\u016f Charty 77 a dokonce byl ve sv\u00e9 nep\u0159\u00edtomnosti (v t\u00e9 dob\u011b \u017eil v Pa\u0159\u00ed\u017ei) odsouzen k roku v\u011bzen\u00ed a konfiskaci majetku. Nejen za sv\u00e9 v\u00fdtvarn\u00e9 \u010diny byl pak v roce 1991 vyznamen\u00e1n V\u00e1clavem Havlem \u0159\u00e1dem T. G. Masaryka.<\/p>\n\n\n\n<p>Na v\u00fdstav\u011b jsou k vid\u011bn\u00ed p\u0159edev\u0161\u00edm kol\u00e1\u017ee, kter\u00fdm se Kol\u00e1\u0159 ve velk\u00e9m v\u011bnoval. Expozice nen\u00ed chronologicky uspo\u0159\u00e1d\u00e1na, ale jedn\u00e1 se o pr\u016f\u0159ez nejr\u016fzn\u011bj\u0161\u00edch metod, kter\u00fdmi lze vytvo\u0159it kol\u00e1\u017e. Jako p\u0159\u00edklad uve\u010fme rol\u00e1\u017e, muchl\u00e1\u017e, nebo t\u0159eba prol\u00e1\u017e.<\/p>\n\n\n\n<p>Prol\u00e1\u017ee m\u011b z cel\u00e9 v\u00fdstavy oslovily nejv\u00edce, s touto \u010d\u00e1st\u00ed Kol\u00e1\u0159ov\u00fdch d\u011bl jsem toti\u017e p\u0159edt\u00edm nep\u0159i\u0161la do kontaktu. S\u00e1m Kol\u00e1\u0159 tuto metodu vynalezl, zprvu j\u00ed ozna\u010doval jako interkol\u00e1\u017e, objevuje se i ozna\u010den\u00ed Magrit\u00e1\u017e (s odkazem na surrealistick\u00e9ho um\u011blce Ren\u00e9ho Magritta).<\/p>\n\n\n\n<p>Technika vyu\u017e\u00edv\u00e1 kombinace dvou obraz\u016f. Z prvn\u00edho je vy\u0159\u00edznuta n\u011bkter\u00e1 snadno rozpoznateln\u00e1 \u010d\u00e1st a druh\u00fd obraz je vlo\u017een do vznikl\u00e9ho otvoru. Jedn\u00e1 se tedy o prolnut\u00ed obrazu do chyb\u011bj\u00edc\u00ed \u010d\u00e1sti obrazu jin\u00e9ho. Prol\u00e1\u017ee, kter\u00e9 rozhodn\u011b stoj\u00ed za vid\u011bn\u00ed, jsou nap\u0159\u00edklad Sn\u00eddan\u011b v kr\u00e1v\u011b, Warhol lesn\u00ed, nebo Kupkova r\u016f\u017ee.<\/p>\n\n\n\n<p>Mus\u00edm ocenit je\u0161t\u011b jeden aspekt Kol\u00e1\u0159ov\u00fdch d\u011bl, kter\u00fd mi p\u0159ipad\u00e1 opom\u00edjen\u00fd. Je to Kol\u00e1\u0159\u016fv vtip, intelekt a humor, se kter\u00fdm vytv\u00e1\u0159el sv\u00e9 kol\u00e1\u017ee. Kol\u00e1\u0159 n\u00e1m demonstruje, \u017ee pro n\u011bj nen\u00ed \u017e\u00e1dn\u00fdm o\u0159\u00ed\u0161kem prolnout dva, nebo v\u00edce rozd\u00edln\u00fdch sv\u011bt\u016f, a to takov\u00fdm zp\u016fsobem, \u017ee se n\u00e1m zd\u00e1 naprosto p\u0159irozen\u00e9, \u017ee spole\u010dn\u011b tvo\u0159\u00ed jeden obraz. Proto \u010dasto sl\u00fdch\u00e1me o Kol\u00e1\u0159ov\u011b nad\u010dasovosti a tak\u00e9 o tom, \u017ee v dne\u0161n\u00ed dob\u011b jsou Kol\u00e1\u0159ova d\u00edla je\u0161t\u011b aktu\u00e1ln\u011bj\u0161\u00ed, ne\u017e byly za doby jejich vzniku.<\/p>\n\n\n\n<p>Je prost\u011b vid\u011bt, \u017ee nesta\u010d\u00ed b\u00fdt jen um\u011blcem, mus\u00edte um\u011bt trochu b\u00e1snit. Jak m\u011b p\u0159esv\u011bd\u010dila v\u00fdstava, Kol\u00e1\u0159 se obou obor\u016f zhostil dokonale. V\u00fdstavu je mo\u017en\u00e9 nav\u0161t\u00edvit a\u017e do 27. \u00fanora. Lektorsk\u00e9 odd\u011blen\u00ed muzea p\u0159ipravilo k v\u00fdstav\u011b i doprovodn\u00fd program pro ve\u0159ejnost a \u0161koln\u00ed skupiny. Program si je pot\u0159eba nejd\u0159\u00edve zarezervovat na <a href=\"https:\/\/www.museumkampa.cz\/lektorske\/\">webov\u00fdch str\u00e1nk\u00e1ch muzea Kampy.<\/a><\/p>\n\n\n\n<p><em>Z\u00e1\u017eitky z v\u00fdstavy pro v\u00e1s sepsala Kl\u00e1ra Nov\u00e1\u010dkov\u00e1, studentka Vy\u0161\u0161\u00ed odborn\u00e9 \u0161koly grafick\u00e9 a st\u0159edn\u00ed pr\u016fmyslov\u00e9 \u0161koly grafick\u00e9 v Praze.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dne 19. listopadu se v muzeu Kampa konala vernis\u00e1\u017e velk\u00e9 v\u00fdstavy Ji\u0159\u00edho Kol\u00e1\u0159e s&nbsp;n\u00e1zvem Slovn\u00edk metod. N\u00e1zev v\u00fdstavy odkazuje na autorovu stejnojmennou knihu, ve kter\u00e9 p\u0159edstavuje 110 metod tvorby jeho [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":4421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[29,109,20,42,46],"tags":[8,4],"class_list":["post-4420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-akce","category-kultura","category-mimoskolni-vzdelavani","category-pro-pedagogy","category-studentske-zpravodajstvi","tag-rodic-zak","tag-ucitel"],"acf":[],"gutentor_comment":0,"_links":{"self":[{"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/4420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4420"}],"version-history":[{"count":1,"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/4420\/revisions"}],"predecessor-version":[{"id":4476,"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/4420\/revisions\/4476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=\/wp\/v2\/media\/4421"}],"wp:attachment":[{"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prahaskolska-backup.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}