{"id":1293,"date":"2021-02-17T18:31:38","date_gmt":"2021-02-17T17:31:38","guid":{"rendered":"https:\/\/prahaskolska-backup.200.solutions.uvirt120.active24.cz\/?p=1293"},"modified":"2021-02-17T18:31:38","modified_gmt":"2021-02-17T17:31:38","slug":"komentar-ucitele-muzy-chodi-pospolu-i-v-dobe-koronaviru","status":"publish","type":"post","link":"https:\/\/prahaskolska-backup.200.solutions\/?p=1293","title":{"rendered":"Koment\u00e1\u0159 u\u010ditele: M\u00fazy chod\u00ed pospolu i v dob\u011b koronaviru"},"content":{"rendered":"\n

Ani v na\u0161em liter\u00e1rn\u011b dramatick\u00e9m oboru na Z\u00e1kladn\u00ed um\u011bleck\u00e9 \u0161kole Ilji Hurn\u00edka nyn\u00ed nezah\u00e1l\u00edme. I kdy\u017e se nem\u016f\u017eeme potk\u00e1vat osobn\u011b, na\u0161e d\u011bti pracuj\u00ed alespo\u0148 doma. Tento obor je velmi propojen\u00fd s \u010detbou, psan\u00edm, jevi\u0161tn\u00edm vyj\u00e1d\u0159en\u00edm, s fantazi\u00ed a zdravou hrou, p\u0159ednesem, ale i se v\u0161emi dal\u0161\u00edmi um\u011bleck\u00fdmi obory \u2013 s hudbou, tancem, v\u00fdtvarn\u00fdm um\u011bn\u00edm a se v\u0161\u00edm, \u010deho se um\u011bn\u00ed, fantazie i \u017eivot dot\u00fdkaj\u00ed. <\/strong><\/p>\n\n\n\n

Sna\u017e\u00edme se v\u0161ichni ve v\u0161ech oborech na\u0161\u00ed z\u00e1kladn\u00ed um\u011bleck\u00e9 \u0161koly a s nad\u011bj\u00ed vyhl\u00ed\u017e\u00edme prezen\u010dn\u00ed v\u00fduku. Za liter\u00e1rn\u011b dramatick\u00fd obor mohu \u0159\u00edct jen tolik, \u017ee divadlo bez kontaktu, emoc\u00ed a div\u00e1k\u016f neexistuje. Divadlo je \u017eiv\u00e9, nem\u016f\u017ee b\u00fdt virtu\u00e1ln\u00ed\u2026<\/strong> P\u0159es ve\u0161ker\u00e9 modern\u00ed techniky, kter\u00e9 v divadle v\u0161ichni pou\u017e\u00edv\u00e1me, lidskou du\u0161i nedok\u00e1\u017ee zelektronizovat nikdo. Nechci se rouhat, ale asi ani B\u016fh ne. Ostatn\u011b ten to, mysl\u00edm, ani nem\u00e1 v pl\u00e1nu.<\/p>\n\n\n\n

Hudba a stejn\u011b tak sochy, obrazy, liter\u00e1rn\u00ed a dal\u0161\u00ed um\u011bleck\u00e1 d\u00edla v d\u011btech rozv\u00edjej\u00ed obrazotvornost k pohybu, tanci, zp\u011bvu, k hereck\u00e9mu vyj\u00e1d\u0159en\u00ed, ke psan\u00ed text\u016f, ke sc\u00e9nografii, k v\u00fdrob\u011b kost\u00fdm\u016f i tvorb\u011b rekvizit. Pro \u201edrama\u0165\u00e1k\u201c jsou ostatn\u00ed um\u011bleck\u00e9 obory a jejich vz\u00e1jemn\u00e9 propojen\u00ed nepostradateln\u00e9. Ka\u017ed\u00fd divadeln\u00ed text nebo liter\u00e1rn\u00ed p\u0159\u00edb\u011bh zase otev\u00edr\u00e1 p\u0159edstavivost hudb\u011b, v\u00fdtvarn\u00e9mu um\u011bn\u00ed a ve\u0161ker\u00e9mu pohybu. V \u201edrama\u0165\u00e1ku\u201c se tedy dot\u00fdk\u00e1me liter\u00e1rn\u00edch \u017e\u00e1nr\u016f i v\u0161ech divadeln\u00edch obor\u016f, proto\u017ee pr\u00e1v\u011b v divadle se v\u0161echny um\u011bleck\u00e9 obory setk\u00e1vaj\u00ed. Pochopiteln\u011b takov\u00fdm zp\u016fsobem, aby to d\u011bti zaj\u00edmalo a bavilo a aby se vkusnou a nen\u00e1silnou formou pro \u017eivot spont\u00e1nn\u011b \u201eum\u011blecky kultivovaly\u201c a setkaly se s nejr\u016fzn\u011bj\u0161\u00edmi druhy um\u011bn\u00ed. Ostatn\u011b je zn\u00e1m\u00e9, \u017ee k nadan\u00fdm lidem chod\u00ed M\u00fazy pospolu.<\/em><\/p><\/blockquote>\n\n\n\n

 Dovol\u00edm si zrcadlit cit\u00e1tem:<\/em><\/p>\n\n\n\n

\u201eKr\u00e1tkozrac\u00ed, chci \u0159\u00edci omezen\u00ed a ve sv\u00e9 mal\u00e9 sf\u00e9\u0159e uzav\u0159en\u00ed duchov\u00e9, nemohou pochopit tu univerz\u00e1lnost nad\u00e1n\u00ed, s jakou se setk\u00e1v\u00e1me u jedn\u00e9 osoby. Kdekoli vid\u00ed co mil\u00e9ho, zd\u00e1 se jim vylou\u010dena solidnost. Kde vid\u00ed t\u011blesn\u00e9 p\u016fvaby, svi\u017enost, pru\u017enost, obratnost, tam necht\u011bj\u00ed u\u017e p\u0159ipustit dary ducha, hloubku, rozvahu, moudrost. \u0160krtaj\u00ed ze Sokratova \u017eivota, \u017ee tak\u00e9 tan\u010dil.\u201c Jean de La Bruy\u00e8re <\/em><\/strong>\/ Charaktery<\/em><\/p><\/blockquote><\/figure>\n\n\n\n

Sna\u017e\u00edme se s kolegou Petrem Pochopem vyu\u010dovat drama\u0165\u00e1k, tedy obor, kter\u00fd je u\u017e z podstaty kontaktn\u00ed, jak jen to jde i v t\u00e9to dob\u011b tak, aby \u201ena\u0161i sv\u011b\u0159enci kr\u00e1tkozrac\u00ed nebyli\u201c\u2026<\/p>\n\n\n\n

Um\u011bn\u00ed pom\u00e1h\u00e1 d\u011btem v t\u011b\u017ek\u00fdch \u010dasech u\u017e l\u00e9ta<\/strong><\/h2>\n\n\n\n

M\u00fazy, dev\u011bt Bo\u017esk\u00fdch sester, se sch\u00e1zej\u00ed nejen na \u0159eck\u00e9m Olympu, ale v\u0161ude tam, kde se c\u00edt\u00ed dob\u0159e. V koncertn\u00edch s\u00edn\u00edch, v galeri\u00edch, knihovn\u00e1ch, v muze\u00edch, ve star\u00fdch pam\u00e1tk\u00e1ch i v divadlech, kde se v\u0161echny um\u011bleck\u00e9 obory navz\u00e1jem prol\u00ednaj\u00ed, a pochopiteln\u011b rovn\u011b\u017e v na\u0161\u00ed ZU\u0160, kde se d\u011bti u\u010d\u00ed pozn\u00e1vat kr\u00e1su \u2013 proto\u017ee um\u011bn\u00ed kr\u00e1sn\u00e9 je. V ka\u017ed\u00e9 dob\u011b rozd\u00e1vaj\u00ed m\u00fazy lidsk\u00fdm bytostem svou bo\u017eskou inspiraci. Radost a o\u010distu, kterou s sebou nese kultura i v\u011bda. Podstatu, kter\u00e1 je pot\u011b\u0161en\u00edm \u0161\u0165astn\u00e9ho \u017eivota a kter\u00e1 je tak\u00e9 doslova nezbytn\u00e1 pro p\u0159e\u017eit\u00ed \u010dlov\u011bka v ne\u0161t\u011bst\u00ed. Tak, jako tomu bylo b\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky v terez\u00ednsk\u00e9m ghettu. I do Terez\u00edna tehdy zav\u00edtaly M\u00fazy a pomohly skrze skladatele Hanse Kr\u00e1su a dal\u0161\u00ed um\u011blce v zajet\u00ed, na sv\u011btlo sv\u011bta d\u011btsk\u00e9 ope\u0159e \u201eBrundib\u00e1r\u201c. Nazkou\u0161eli ji spolu s uv\u011bzn\u011bn\u00fdmi \u017eidovsk\u00fdmi d\u011btmi. To v\u0161e bylo mo\u017en\u00e9 uskute\u010dnit pochopiteln\u011b d\u00edky lidsk\u00e9 s\u00edle a touze po um\u011bn\u00ed a du\u0161evn\u00ed o\u010dist\u011b.<\/p>\n\n\n\n

Opera byla pro terez\u00ednsk\u00e9 v\u011bzn\u011b do\u010dasn\u00fdm \u00fanikem, na jej\u00edm vzniku se pod\u00edleli um\u011blci v\u0161ech obor\u016f. Dokon\u010dili ji. Odehr\u00e1li p\u0159es pades\u00e1t repr\u00edz a a\u017e do posledn\u00edho dechu se j\u00ed nevzdali\u2026 M\u00fazy pom\u00e1haly \u017e\u00edt lidem v nelidsk\u00fdch podm\u00ednk\u00e1ch a jejich inteligence a um\u011bleck\u00e9 nad\u00e1n\u00ed je chr\u00e1nilo p\u0159ed malomyslnost\u00ed... I proto je tak pot\u0159ebn\u00e9 opatrovat sv\u00e9 M\u00fazy, milovat kr\u00e1su um\u011bn\u00ed a spojovat tv\u016fr\u010d\u00ed sv\u011bty, a to i v t\u00e9to \u201edistan\u010dn\u00ed dob\u011b\u201c.<\/p>\n\n\n\n

V\u00fduka a\u010d vzd\u00e1len\u00e1, tak dostupn\u00e1<\/strong><\/h2>\n\n\n\n

U\u010d\u00edm ve t\u0159ech v\u011bkov\u011b sm\u00ed\u0161en\u00fdch skupin\u00e1ch dvacet \u010dty\u0159i \u017e\u00e1k\u016f ve v\u011bku od p\u011bti do patn\u00e1cti let. V\u011bt\u0161ina d\u011bt\u00ed je\u0161t\u011b nepou\u017e\u00edv\u00e1 ani mobiln\u00ed telefon, a d\u00edky r\u016fzn\u00fdm \u0161koln\u00edm rozvrh\u016fm a vyt\u00ed\u017eenosti rodi\u010d\u016f opravdu nen\u00ed mo\u017en\u00e9, abychom se p\u0159ed monitorem sch\u00e1zeli v \u010dase pravideln\u00e9 v\u00fduky, na kter\u00fd byly d\u011bti zvykl\u00e9. Vol\u00edm tedy v t\u011bchto skupin\u00e1ch distan\u010dn\u011b projektovou v\u00fduku, kter\u00e1 nen\u00ed kolektivn\u00ed, ale je vlastn\u011b individu\u00e1ln\u00ed. Na webov\u00fdch str\u00e1nk\u00e1ch jsem pro \u017e\u00e1ky zadala materi\u00e1l, ze kter\u00e9ho vych\u00e1z\u00edme. Jde st\u00e1le o v\u00fduku hrou, a to i v r\u00e1mci psan\u00ed\u2026<\/p>\n\n\n\n

D\u011bti doma \u010dtou, p\u00ed\u0161\u00ed, p\u0159edn\u00e1\u0161ej\u00ed, tancuj\u00ed, zp\u00edvaj\u00ed, n\u011bkter\u00e9 dokonce hraj\u00ed vlastn\u00ed loutkov\u00e1 divadla. Svoji tvorbu \u2013 texty, audia i videa pos\u00edlaj\u00ed \u017e\u00e1ci (nebo jejich rodi\u010de) e-mailem nebo p\u0159es WhatsApp. Mohou to d\u011blat v dob\u011b, kdy jim to vyhovuje \u010dasov\u011b. V\u011bt\u0161ina d\u011bt\u00ed to bere jako zaj\u00edmavou hru. Z\u016fst\u00e1v\u00e1me v kontaktu i nad\u00e1le tv\u016fr\u010d\u00edm zp\u016fsobem. N\u011bkte\u0159\u00ed se v tomto distan\u010dn\u00edm \u010dase opravdu autorsky rozepsali. P\u00ed\u0161\u00ed poh\u00e1dky a pov\u00eddky, skl\u00e1daj\u00ed b\u00e1sni\u010dky, rozeb\u00edraj\u00ed postavy z na\u0161ich p\u0159ipravovan\u00fdch her, kresl\u00ed n\u00e1vrhy sc\u00e9ny. Pracuj\u00ed podle toho, co je zaj\u00edm\u00e1 a kter\u00fd \u00fakol si ve webov\u00e9m z\u00e1sobn\u00edku vyberou, nebo podle toho na \u010dem se domluv\u00edme. D\u011bti maj\u00ed mo\u017enost v\u00fdb\u011bru z nab\u00eddnut\u00fdch t\u00e9mat i \u010dasu tak, aby na to m\u011bly prostor a taky chu\u0165. Tvorba se d\u00e1 nasm\u011brovat a korigovat, motivovat, ale vynutit se ned\u00e1. To je podobn\u00e9 jako s l\u00e1skou nebo p\u0159\u00e1telstv\u00edm\u2026<\/p>\n\n\n\n

D\u011btsk\u00e1 p\u0159edstavivost je bezb\u0159eh\u00e1<\/strong><\/h2>\n\n\n\n

Materi\u00e1l\u016f zpracovan\u00fdch d\u011btmi a jejich d\u00edlek, kter\u00e1 b\u011bhem distan\u010dn\u00ed v\u00fduky vznikla, m\u00e1me pom\u011brn\u011b hodn\u011b. V\u011bnuji se ka\u017ed\u00e9mu zvl\u00e1\u0161\u0165, p\u00ed\u0161i hodnocen\u00ed a korekce pos\u00edl\u00e1m v grafick\u00fdch listech, spolu s motivac\u00ed a inspirov\u00e1n\u00edm d\u011bt\u00ed k dal\u0161\u00ed tvorb\u011b. Tak\u017ee ta v\u011b\u010dn\u00e1 snaha o ope\u010dov\u00e1v\u00e1n\u00ed fantazie b\u011bhem distan\u010dn\u00ed v\u00fduky n\u011bjak\u00fd smysl m\u00e1. Pram\u00ednek p\u0159edstavivosti zd\u00e1 se nevyschne\u2026 A z toho m\u00e1m radost.<\/p>\n\n\n\n

Ve v\u0161ech skupin\u00e1ch oboru se u\u010d\u00ed d\u011bti nejen o divadle a literatu\u0159e, ale \u2013 co\u017e je asi to nejd\u016fle\u017eit\u011bj\u0161\u00ed \u2013 o vz\u00e1jemn\u00e9mu porozum\u011bn\u00ed a toleranci jeden od druh\u00e9ho, a tak\u00e9 se bezprost\u0159edn\u011b otev\u00edraj\u00ed v\u0161em podstatn\u00fdm vjem\u016fm. Vn\u00edmaj\u00ed p\u0159i hr\u00e1ch sv\u00e9 rozd\u00edln\u00e9 projevy a zvyklosti, inspiruj\u00ed se navz\u00e1jem, propojuj\u00ed sv\u00e9 fantazie v improvizac\u00edch. P\u0159irozen\u011b p\u0159ij\u00edmaj\u00ed i jin\u00e1 kulturn\u00ed c\u00edt\u011bn\u00ed, a to je skv\u011bl\u00e9. Je to dal\u0161\u00ed krok k integraci. Pr\u00e1v\u011b tohle v\u0161echno jim v \u017eivot\u011b opravdu k n\u011b\u010demu bude, nemusej\u00ed z nich b\u00fdt b\u00e1sn\u00edci nebo herci, ale pro \u017eivot je rozv\u00edjen\u00ed tolerance a propojov\u00e1n\u00ed kulturn\u00edch sv\u011bt\u016f dost d\u016fle\u017eit\u00e9. No, a tohle n\u00e1m te\u010f b\u011bhem distan\u010dn\u00ed v\u00fduky stra\u0161n\u011b chyb\u00ed. D\u011bti se navz\u00e1jem pot\u0159ebuj\u00ed\u2026<\/p>\n\n\n\n

Liter\u00e1rn\u00ed po\u010diny vznikaj\u00ed i na d\u00e1lku<\/strong><\/h2>\n\n\n\n

\u201cTi, kte\u0159\u00ed se zapojili, jsou v r\u00e1mci mo\u017enost\u00ed spokojeni a p\u00ed\u0161\u00ed. Dokonce osmilet\u00e1 Laurinka Markov\u00e1 b\u011bhem distan\u010dn\u00ed v\u00fduky vyhr\u00e1la 1. m\u00edsto ve sv\u00e9 kategorii v liter\u00e1rn\u00ed sout\u011b\u017ei. Cenu hlavn\u00edho m\u011bsta Prahy a Klubu \u010desk\u00fdch a slovensk\u00fdch spisovatel\u016f za nejlep\u0161\u00ed d\u011btsk\u00fd autorsk\u00fd po\u010din roku 2020 \u2013 leto\u0161n\u00ed t\u00e9ma: \u201ePraha v\u0161edn\u00ed a magick\u00e1\u201c z\u00edskala za b\u00e1se\u0148 \u201eGolem\u201c. Dal\u0161\u00ed d\u00edvku, M\u00ed\u0161u Lavickou, p\u0159ipravuji na liter\u00e1rn\u00ed sout\u011b\u017e STUDENTSK\u00c1 TH\u00c1LIE 2020 (uz\u00e1v\u011brka je z patrn\u00fdch d\u016fvod\u016f posunut\u00e1 na \u00fanor 2021).\u201d<\/em><\/p><\/blockquote>\n\n\n\n

Na podzim prob\u00edhala v na\u0161\u00ed \u0161kole k\u0159\u00ed\u017eovk\u00e1\u0159sk\u00e1 e-sout\u011b\u017e \u201eS M\u00fazami o M\u00faz\u00e1ch\u201c <\/strong>\u2013 s tematikou tane\u010dn\u00ed, hudebn\u00ed, hereckou i v\u00fdtvarnou. Do t\u00e9to tematick\u00e9 sout\u011b\u017ee se zapojili \u017e\u00e1ci \u0161koly nap\u0159\u00ed\u010d obory. V\u00fdsledky, spolu s komorn\u00edm video-programem, byly vyhl\u00e1\u0161eny e-cestou 26. ledna 2021, jak uvid\u00edte ve videu:\u00a0 <\/p>\n\n\n\n

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